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Posts tagged ‘Sri Vidya’

  1. Deity Meditation: Lalita

    Meditating on the image of a deity is a very old practice (its generally thought that it emerged from early Buddhist practice around the 5th century BCE). Meditation is not really a seperate “technique” as its often presented to be in contemporary writings (more of which another time) but is an aspect of one’s overall sadhana – inseperable from the visualisation/recollection of any interiorised image or form. The root of the Sanskrit dhyana – often translated as “meditation” is dhi – “to see”. Indeed, the seperation of “meditation” from other forms of sadhana is a relatively recent one, and can be seen emerging at the turn of the twentieth century with the prioritising of internal mental practices over bodily-oriented practices and external ritual. Continue reading »

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  2. Sri Vidya, Gender, Thealogy, Immanence – Some Notes

    “Creation arises in joy, abides in joy and returns to joy…  Lalita awakens the receptive soul to the bliss that underlies all things” Tantric Yoga and the Wisdom Goddesses  (1994: 89).

    I was standing in water the other day and the angle of it created a stream broken into drops, cascading from the end of my chin. Each drop chased the preceding one and, looking down at them, I was hit by amazement. Their light-catching, simple procession immersed me in immediate wonderment. But I was not bathing in a dramatic waterfall, merely showering on ordinary morning. Tantrism is a philosophy of the cultivation of everyday ecstasy. 
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  3. A meditation on Lalita

    The Saundaryalahari (“Flood of Beauty”) is a key Srividya text, sometimes attributed to Sankara. Composed of 100 verses, it is usually divided into two parts – verses 1-41 and verses 42-100. The first section, sometimes called the Anandalahari (“Wave of Joy”) is concerned with the facets of Lalita sadhana – her image in external worship, but also her Yantra and mantra-modalities The verses can also be read in such a way as to relate them to the subtle mapping of chakras, nadis, etc. The Anandalahari is sometimes seen as originating directly from Siva, or Lalita Herself. Continue reading »

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  4. A sidelong glance

    “His bow is made of flowers, the bowstring of bees, five are his arrows,
    Vasanta (Spring) is his adjutant, the Malaya breeze his war chariot,
    and yet, by himself, O daughter of the snow mountain, when but a bit of compassion
    he has got from a side glance of yours, the Bodiless One (Kama) conquers this world entire.”
    Saundaryalahari, 6 Continue reading »

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