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Posts tagged ‘Sri Vidya’

  1. Book review: Bringing the Sacred Down to Earth

    I’m generally wary of the comparative approach to the study of religion (and myth), if only as, as an approach it has tended to supress or conceal differences between cultures, giving rise to the illusion of homogeneity by reducing the expressions of other cultures to the concepts being deployed by the person doing the comparison. Comparative approaches, so often uncritically map the religious features of other cultures onto European classifications, and thereby work as a form of cultural imperialism. Comparative models have also been used to support the flawed notion that magical/religious techniques can be easily “lifted” from their cultural context. Continue reading »

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  2. Reading the Saundarya Lahari – III-2

    Continuing right on from the previous post in this series, I will now examine verse 8 of Anandalahari. Continue reading »

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  3. Practice Notes: Wot, no circle?

    “Infinite and endless creations are threaded on me as pearls on a string. I myself am the lord that resides in the causal and subtle bodies of the jivas. I am Brahma, Vishnu, and Shiva. I am the sun, moon, and stars. I am the beasts and birds, the Brahmin and the untouchable. I am the noble soul as well as the hunter and the thief. I am male, female, and hermaphrodite. Whenever there is anything to be seen or heard, I am found there, within and without. There is nothing moving or unmoving that can exist without me.” Devi Gita

    Pretty much all of the Pagan public rituals I have participated in over the last decade or so have shared a common feature – some kind of circle – which does not feature in my own practice of tantra puja. Whenever I facilitate open pujas, some of the commonest questions that arise are related to the differences between contemporary Pagan ritual processes and tantra puja as I practice it, so this post is an attempt to reflect on these very basic distinctions and how they are underwritten by very different ritual ontologies. Continue reading »

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  4. Reading the Saundarya Lahari – III

    Continuing from my last post in this series I will now turn to a brief examination of verse 7 of Anandalahari – which together with verse 8, provides a preliminary dhyana – a meditation/ritual image of the goddess. Continue reading »

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  5. Reading the Saundarya Lahari – II

    For this post, I’m going to begin a brief examination of some of the themes present in verses 1-41 of Saundaryalahari – often referred to as Anandalahari – “wave of joy”. As I noted in the first post in this series, the Anandalahari is perhaps the most explicitly “tantric” half of Saundaryalahari providing cues for the dhyana (puja image) of the Goddess, Her mantra, yantra and her relationship to organising schemas of Cakras and Rays. For the present, I will concentrate on the first six verses of Anandalahari. Continue reading »

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  6. Reading the Saundarya Lahari – I

    Tantra is often (popularly) represented in western occult writing as though it were an “outsider” tradition in India, something on the periphery or marginal to the orthodox or “mainstream” forms of Indian religosity – and highly esoteric – something which can only be “decoded” with the correct keys or “initiated” understandings. This view, which I’ve recently argued (Treadwells lecture, October 2011) actually says more about western occultism’s self-representations than any tantric actualities, is something I’ve been trying to counter with much of the tantric-oriented writing I’ve been doing here on Enfolding. Although I’ve made occasional reference to the Saundaryalahari (“Flood of Beauty”) here a couple of times previously (see this post in particular), for this series of posts I’m going to examine this work in more detail, drawing in some of the themes I’ve been outlining in other posts. Continue reading »

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  7. Review: The Mysteries of the Red Goddess

    The Mysteries of the Red Goddess by Mike Magee, Kindle Edition Prakasha Publishing 2011 (3999kb, unlimited simultaneous device usage, text-to-speech enabled). £10.46 (incl. VAT and free whispernet delivery).

    The Mysteries of the Red Goddess

    Mike Magee has been providing invaluable translations and insights into tantric texts since the late 1970s. He’s also renown as an IT journalist – launching two major news sites – The Register and The Inquirer and has been named by the Daily Telegraph as one of the 50 most influential Britons in technology. Now he’s taken the leap onto Amazon’s Kindle platform and released The Mysteries of the Red Goddess which combines a translation of the Vamakesvara Tantra together with an exposition of themes and ideas which relate to the Sri Vidya tradition. Continue reading »

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  8. Approaching Lalita: three modalities

    “Let my idle chatter be the muttering of prayer, my every manual movement the execution of ritual gesture,
    my walking a ceremonial circumambulation, my eating and other acts the rite of sacrifice,
    my lying down prostration in worship, my every pleasure enjoyed with dedication of myself,
    let whatever activity is mine be some form of worship of you.”
    Saundaryalahari

    Continue reading »

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  9. Playful mind

    Meditation is often thought of in terms of stilling the internal dialogue, of calming the endless fluctuations or whirlings (vrittis) of cognition. Often, beginners in meditation find this difficult, and its easy to get into the routine of making meditation a seperate space from the rest of our lives; of practicing it at times when we won’t be disturbed by too many sense-distractions. It is difficult to still the endless flow of cognitions – to lengthen the gap between thoughts. Why not do the opposite? Let the mind play. Continue reading »

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  10. Deity Meditation: Lalita

    Meditating on the image of a deity is a very old practice (its generally thought that it emerged from early Buddhist practice around the 5th century BCE). Meditation is not really a seperate “technique” as its often presented to be in contemporary writings (more of which another time) but is an aspect of one’s overall sadhana – inseperable from the visualisation/recollection of any interiorised image or form. The root of the Sanskrit dhyana – often translated as “meditation” is dhi – “to see”. Indeed, the seperation of “meditation” from other forms of sadhana is a relatively recent one, and can be seen emerging at the turn of the twentieth century with the prioritising of internal mental practices over bodily-oriented practices and external ritual. Continue reading »

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