Pan: The vengeance of the wild in “The Music on the Hill”
“I’ve been a fool in most things,” said Mortimer quietly, “but I’m not such a fool as not to believe in Pan when I’m down here. And if you’re wise you won’t disbelieve in him too boastfully while you’re in his country.”
The Music on the Hill
One of the aspects of writing for a blog I enjoy is that I don’t have to intently focus on any one topic for a prolonged period – I can just hop to and fro between areas of interest as the mood takes me. Sometimes though, this produces a considerable ‘gap’ between posts. So it is, after a nine-year pause, I return to the subject of Pan.
Throughout the Pan-themed literature of the early twentieth century, there runs a common theme: that the lure of Pan promises a return to a rural idyll – a nostalgia for both wild landscape and reunion with natural life. A distinctly antimodern turning away from the industrialized world, and the restrictions and regulations of polite society. Pan both guards and beckons into this wild terrain, opening up vistas of possibility beyond the ordered world of civilization. Yet the encounter with Pan can be terrible too; the call to encounter the wild is profoundly disturbing, and the unwary trespasser into Pan’s domain may get more than they have bargained for. Continue reading »
