Pan: From Arcadia to Arkham – Panic terror and HP Lovecraft – I
“Before the laurel-draped mouth of the Corycian cave sat in a row six noble forms with the aspect of mortals, but the countenances of Gods. These the dreamer recognised from images of them which she had beheld, and she knew that they were none else than the divine Maeonides, the Avernian Dante, the more than mortal Shakespeare, the chaos-exploring Milton, the cosmic Goethe, and the Musaean Keats. These were those messengers whom the Gods had sent to tell men that Pan had passed not away, but only slept; for it is in poetry that Gods speak to men.”
HP Lovecraft and Anna Helen Crofts, Poetry and the Gods (1920)
Howard Phillips Lovecraft (1890-1937) is not an author that one might immediately associate with Pan, yet Pan is present in various guises throughout his fiction and poetry, perhaps more recognizably so in his earlier prose, and more menacingly in his later works. To begin this series of posts on Lovecraft and Pan, I will take a look at the appearance of Classical themes in Lovecraft’s early work, where the Arcadian ideal is, for the most part, untainted by terror.
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