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Archive for January 2021

  1. Book Review: Chernobyl: A Stalkers’ Guide

    I was 26 when the Chernobyl disaster occurred, and I well remember my feeling of horror and incredulity as the scraps of information filtered through and friends speculated what effects it might have on the magic mushroom season that year. I grew up in the shadow of the bomb – the three-minute warning, “Protect and Survive” and the War Game. Many of us had half-expected something like Chernobyl was only a matter of time. Over the years I’ve become fascinated with Chernobyl, its history and the mythologies it has spawned. I have spent hundreds of hours exploring the virtual simulacra of the Zone in the S.T.A.L.K.E.R trilogy of games and the two free mods, Lost Alpha and StalkerSoup. These games owe as much to Arkady and Boris Strugatsky’s 1972 novel “Roadside Picnic” and Andrei Tarkovsky’s haunting film “Stalker” as they do to any real events, but if there is any place on earth where the borders of the real and the imaginary might collapse, it is Chernobyl. Continue reading »

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  2. Pan: The vengeance of the wild in “The Music on the Hill”

    “I’ve been a fool in most things,” said Mortimer quietly, “but I’m not such a fool as not to believe in Pan when I’m down here. And if you’re wise you won’t disbelieve in him too boastfully while you’re in his country.”
    The Music on the Hill

    One of the aspects of writing for a blog I enjoy is that I don’t have to intently focus on any one topic for a prolonged period – I can just hop to and fro between areas of interest as the mood takes me. Sometimes though, this produces a considerable ‘gap’ between posts. So it is, after a nine-year pause, I return to the subject of Pan.

    Throughout the Pan-themed literature of the early twentieth century, there runs a common theme: that the lure of Pan promises a return to a rural idyll – a nostalgia for both wild landscape and reunion with natural life. A distinctly antimodern turning away from the industrialized world, and the restrictions and regulations of polite society. Pan both guards and beckons into this wild terrain, opening up vistas of possibility beyond the ordered world of civilization. Yet the encounter with Pan can be terrible too; the call to encounter the wild is profoundly disturbing, and the unwary trespasser into Pan’s domain may get more than they have bargained for. Continue reading »

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