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In the previous post on Edward Sellon I took a look at Sellon’s pornographic writings within the wider of context of nineteenth century attitudes to India & sexuality. For this post, I’m going to take a look at some of Sellon’s scholarly work, it’s reception, and its role in the representation of tantra. Continue reading »
I think it’s pretty important to say from the outset, that with regards Kate Borstein’s books I’m a bit of a fanboi. Two of her earlier works – Gender Outlaw and My Gender Workbook are generally viewed as seminal for those of us whose gender expression fails to fall neatly into binary tick boxes. Bornstein in person is feisty and unapologetic about where she feels she has had to travel in order to become more herself. Continue reading »
When I’m researching material for lectures, I often find myself poking into a variety of fascinating areas and characters, which unfortunately time often precludes me from doing anything more than briefly summarising their relationship to the main topic at hand. So a lot of material ends up on “the cutting room floor” as it were. What follows is the first of two posts (expanded from the preparation for my forthcoming Treadwells lecture) focusing on Edward Sellon (1816-66). Sellon is noteworthy as his his writings can be located as emerging out of the blurred zone between “serious scholarship” and erotica (sometimes referred to as “ethnopornography”). Sellon wrote both pornographic books and more sober, scholarly works, both of which provide a window into the period’s attitudes to India, sexuality, and Tantra. This first post will look at Sellon’s pornographic writing in the context of the nineteenth-century demand for pornography and Imperial attitudes to India & sexuality, and I will follow up with an examination of his “scholarly” works – the papers he delivered to the Anthropological Society of London and his book Annotation to the Sacred Writings of the Hindus. Continue reading »