Skip to navigation | Skip to content



Posts tagged ‘Practice’

  1. Practice notes: On lingering

    There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.
    Rabindranath Tagore Gitanjali Poem #14

    lin-ger

      1. to remain or stay in a place longer than is usual or expected, as if from reluctance to leave
      2. to remain alive; continue or persist, although gradually dying, ceasing, disappearing, etc.
      3. to dwell in contemplation, thought, or enjoyment.
      4. to be tardy in action; delay; dawdle
      5. to walk slowly; saunter along

    dictionary.com

    Last year, on my birthday, we went to the Whitechapel Gallery in London, where we experienced Zarina Bhimji’s haunting film – Yellow Patch. There was one sequence – where the camera zooms slowly towards the crumbling facade of an old Indian palace, revealing a world of untold richness and depth. Afterwards, I was struck by the thought that it is when we slow down – even momentarily – that the world – in particularly the everyday or mundane world that so much of contemporary magical writing tends to disdain – becomes wondrous. Continue reading »

    Share
  2. Dialogue III: On the pleasures of initiation

    “Initiation is of three kinds: Initiation by touch (Sparsa), Initiation by sight (Drksamjna) and Initiation by thought (Manasa) – all these three are done without Rituals and without exertions. O My Beloved! Initiation and instruction by touch is likened to the slow nourishing of its young with the warmth of its wings. O Paramesvari! Initiation and instruction by sight is like the nourishing of its young by the fish through its seeing alone. Initiation and instruction by thought is like the nourishing of its young by the tortoise by only thinking of them.”
    Kulanarva Tantra, transl. R.K Rai

    “Now I am going to reveal to you this devotion to the Guru, give me your undivided attention. Just as the river Ganges joins the sea with its wealth of water, or the Vedas enter the abode of the Supreme or a chaste wife dedicates her life with its good and bad points to her husband, so he dedicates his heart along with his senses to the family of his Guru and becomes verily the temple of devotion to him. Just as a wife keeps on thinking of her absent husband, the thoughts of the place where his Guru dwells crowd his mind….”
    Jnaneshvari (13, 371-375) transl.M.R. Yardi

    Continue reading »

    Share
  3. Heart Practice II: the goddess dwelling in the heart

    The Heart is the subtle vibration of the triangle which consists of the incessant expansion and contraction of the three powers, and it is the place of repose, the place of supreme bliss. This very Heart is the Self of Bhairava, of that which is the essence of Bhairava, and of the blessed supreme Goddess who is inseperable and nondifferent from him.
    Abhinavagupta, commentary on Paratrisika-laghuvritti, transl. Paul Muller-Ortega

    So, Mind, call out “Kali! Kali”;
    meditate on the Mother’s form.
    In this way, that cloud-coloured Syama
    will dance, always
    dance, in your heart.
    Kalyankumar Mukhopadhyay (transl. Rachel Fell McDermott)

    Placing one’s chosen deity in the heart is a core element of tantra practice (see, for example Reading the Saundarya Lahari – III-2 for some related discussion and an example from the Todala Tantra.) I have been doing this now (as the beginning phase of formal puja, as formal meditation, and, increasingly, as a day-to-day, moment-by-moment rememberance) for nigh on twenty-five years, so it’s probably high time for me to make some reflections on this particular aspect of sadhana. Continue reading »

    Share
  4. Book review: The Wanton Green

    The Wanton Green A key feature of contemporary Paganism is our relationship to place. Curiously though, there seems to be little in the way of in-depth exploration from within the Pagan community of how we make and sustain our relationships with places, nor of place-making as a social or political practice. There are some excellent scholarly books examining place-making – such as Corinne G. Dempsy’s Bringing the Sacred Down to Earth: Adventures in Comparative Religion (which I reviewed
    back in July) and Adrian Ivakhiv’s Claiming Sacred Ground: Pilgrims and Politics at Glastonbury and Sedona which argues that “sacred spaces” are heterotopic – where meaning is created, contested, and negotiated by different groups. Hopefully, The Wanton Green (Mandrake Books, Oxford, 2011, 222pp, p/bk) – an anthology of contemporary Pagan writing on our relationships with places – will inspire further explorations of Pagan approaches to place-making. Continue reading »

    Share
  5. Heart Practice – I

    “The emissional energy of Sambhu thus abides everywhere. Out of it [arises] the ensemble of motions of the liquid bliss of joy. So indeed, when a sweet [song] is sung, when [there is] touching, or when [there is the smelling of] sandalwood and so on, when the state of standing in the middle [the state of indifference] ceases, [there arises] the state of vibrating in the heart, which is called precisely “the energy of bliss,” because of which a human being is with-heart.”
    Abhinavagupta, Tantraloka

    “A heartfelt practice requires attentiveness to the stillness and movement of experience – to the multiple tightenings, contractions, fluidities and expansions of immediate somatic experience. Attentiveness is the doorway to a new curriculum of breath, silence, and listening – listening in the body, listening to feeling, listening to the ordinary experiences of life – hearing [and seeing] with the heart. It is in the ordinary, disregarded or forgotten phenomena of the everyday that we discover insight and freedom. From the ordinary we distill the essence of human/heart experience.”
    Diana Denton, The Heart’s Geography: Compassion as Practice

    Continue reading »

    Share
  6. Practice Notes: Wot, no circle?

    “Infinite and endless creations are threaded on me as pearls on a string. I myself am the lord that resides in the causal and subtle bodies of the jivas. I am Brahma, Vishnu, and Shiva. I am the sun, moon, and stars. I am the beasts and birds, the Brahmin and the untouchable. I am the noble soul as well as the hunter and the thief. I am male, female, and hermaphrodite. Whenever there is anything to be seen or heard, I am found there, within and without. There is nothing moving or unmoving that can exist without me.” Devi Gita

    Pretty much all of the Pagan public rituals I have participated in over the last decade or so have shared a common feature – some kind of circle – which does not feature in my own practice of tantra puja. Whenever I facilitate open pujas, some of the commonest questions that arise are related to the differences between contemporary Pagan ritual processes and tantra puja as I practice it, so this post is an attempt to reflect on these very basic distinctions and how they are underwritten by very different ritual ontologies. Continue reading »

    Share
  7. Practice notes: on the garland of names

    “What you’ve done can’t be helped;
    the day is almost over.
    On a jeweled island
    Siva sits in Siva’s house.
    Contemplate Her always.
    Prasad says,
    Durga’s ambrosial name liberates.
    Repeat it without ceasing;
    drench your tongue in nectar.”
    Ramprasad Sen (trans. Rachel Fell McDermott)

    Continue reading »

    Share
  8. Approaching Lalita: three modalities

    “Let my idle chatter be the muttering of prayer, my every manual movement the execution of ritual gesture,
    my walking a ceremonial circumambulation, my eating and other acts the rite of sacrifice,
    my lying down prostration in worship, my every pleasure enjoyed with dedication of myself,
    let whatever activity is mine be some form of worship of you.”
    Saundaryalahari

    Continue reading »

    Share
  9. Dialogue II: Teacher-pupil exchanges in the Upanisads

    “Just as the plot or story of my own life is created by other people – the heroes of my life, so aesthetic vision of the world, its image, is created only by consummated or consummatable lives of other people who are the heroes of this world. The first and foremost condition for an aesthetic approach to this world is to understand it as the world of other people who have accomplished their lives in it…”
    Mikhail Bakhtin, Art and Answerability p111

    Continue reading »

    Share
  10. Intensities: Spreading outwards

    We did the ritual at the stump of Jenny’s cherry tree, and afterwards walked in silence down to the beach. Continue reading »

    Share